Roger & Margaret Dean
4th February to 4th March

Roger and Margaret Dean, in Hampton Court
Roger Dean – Selected Biography
Born Warrington, Lancashire
Education 1953-58
Liverpool College of Art
Brera Academy, Milan
Awards, Prizes & Scholarships
1955 Blonde Scholarship Liverpool
1957 Finalist, Prix de Rome competition
1959 British Council Scholarship
Gulbenkian Foundation Travelling Scholarship
1964 John Moore’s Liverpool
1965 Gulbenkian Fellow in Fine Art, Keele University
Roger Dean: White Spiral Corkscrew
Exhibitions 1960-91
Lane Gallery, Bradford
Compendium Gallery, Birmingham
Bowes Museum County Durham
Bluecoat Gallery, Liverpool
Keele University, Staffordshire
Exeter University
Exe Gallery, Exeter
Rathaus Gallery, Germany
Commonwealth Institute, London
Walker Art Gallery, Liverpool
John Moore’s, Liverpool
Peri-Renneth Gallery, LongIsland, USA
Public Collections
Gulbenkian Collection of Contemporary Art, London
Walker Art Gallery, Liverpool
Atkinson Art Gallery, Southport
Watherstone Inc, New York, USA
Associate Printing, New Jersey, USA
Public Commissions 1987 -2010
Exeter City Council
North Devon District Council & South West Arts
Exeter Quay and Canal Trust
Exeter Fountain Steering Group
Plymouth University
Lego UK, Windsor
Lifestyle Ltd, Birmingham
West Devon Borough Council
Devon Agricultural Association
Force Cancer Research, RDE Hospital
Percent for Art, Midas Homes, Kingskerswell
Town Centre Axminster
Mortonhampstead town redevelopment scheme
Axminster Community Arts
South Devon Healthcare Trust, Newton Abbot Hospital
Roy Lancaster, the Admirals House, Ilfracombe
Land Securities, Princesshay development
Royal Marine 42 Commando’s, Bickleigh Barracks

Margaret Dean: Only

Margaret Dean: Reclining Nude
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Margaret Dean: Last Day, drawing, 2011
In
1973 Margaret was fortunate to find an exceptional studio space in
Bluehayes House which belonged to the internationally known Conservator
of Paintings Margaret Watherston. Watherston handled the
collections of the Guggenheim and Whitney Galleries in New York and
acted as adviser to a number of New York artists including Rothko. Her
main studio was in Times Square, New York but she also ran Bluehayes
House in Devon which was used to clean and restore paintings from the
dominant painters of the New York School. This stimulating setting
became Margaret’s working environment for the next 20 years.

Margaret Dean: Silvia Sitting, 1999
Margaret Dean – Selected Biography
Born Liverpool
Education 1955-62
Liverpool College of Art
William Hayter Studio, Paris
Awards, Prizes & Scholarships
1960 Liverpool City Council Travelling Scholarship
1975 Winner Westward Television Open competition

Margaret Dean: Figure in Shower, 1988
Exhibitions 1962-96
Compendium Gallery, Birmingham
Bowes Museum and Art Gallery, County Durham
Keele University
Bluecoat Gallery, Liverpool
Gallerie Chapitre, Rennes, France
University of Exeter
Maison International, Rennes, France
Gallerie Dys, Dinard, France
Peri Renneth Gallery, New York, USA
Paul Fowler Studio, London

Margaret Dean: August evening, drawing, 2011
Public Collections
Manchester City Council
Plymouth City Council
Staffordshire County Council
Liverpool City Council
Exeter City Council
Walker Art Gallery, Liverpool
Watherston Inc, New York, USA
Associated Printing Services, New Jersey, USA

Margaret Dean: P1000627
Public Commissions 1984-96
Exeter City Swimming Baths
Commando Training Centre, Lympstone
RNAS Culdrose Navel Station, Cornwall
Oxford Architects Partnership
Heavitree Breweries
Farway Park, Devon
Lego UK, Windsor
Weatherspoons Ltd
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Roger Dean - the bronzes
Artist's
statement: The starting point of the two small bronzes plus the large
marble/resin column is based around the fusion of organic and
manufactured (man made) structures and the relative effect that these
two separate identities have on each other.

Roger Dean: Four Way Curtain Bronze
The small Four Way Curtain bronze is one of a series of works
(mainly in relief format) which are based around ideas of privacy and
isolation
In
addition certain metamorphic devices come into play where the
transition from two to three dimensions operates to introduce elements
of uncertainty and ambiguity with each individual sculpture.

Roger Dean: Contained Bronze

Roger Dean: Marble-Resin Column

Roger Dean: Archway Bronze

Roger Dean: Exeter Memorial Princesshay

Margaret Dean: P1000637
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